The Bluff: A Cinematic Misstep
Cast: Priyanka Chopra, Karl Urban, Ismael Cruz Córdova, Safia Oakley-Green, Temuera Morrison
Director: Frank E. Flowers
Rating: ★★
Frank E. Flowers’ film, The Bluff, opens with a promising action sequence that showcases Priyanka Chopra in a role reminiscent of a 19th-century Navy SEAL, taking down pirates with remarkable ease. However, this excitement quickly fades, and the film struggles to maintain momentum once the initial thrill subsides. The narrative largely depends on its lead, ultimately falling flat in delivering a compelling story.
The plot centers around Ercell Borden, played by Chopra, who lives in a picturesque Caribbean town with her son and sister-in-law. Ercell’s husband, TH Borden, has been captured by the infamous pirate Connor, portrayed by Karl Urban, who seeks retribution. To protect her family, Ercell must embrace her past and transform into Bloody Mary, a legendary figure in the pirate world.
The film attempts a blend of classic action elements, placing Chopra in an underdog role that contrasts with her opposition, most notably the imposing pirate antagonist. Ercell’s character is designed to resonate with audiences as she overcomes significant physical odds, using skills reminiscent of Jason Bourne to advocate for her family and reclaim her lost identity. This unique angle presents an engaging hook for viewers, but ultimately leads to a lackluster execution.
The Bluff does not shy away from its violent themes, earning an R rating for its graphic content. Bloodshed is prevalent, with the protagonist seamlessly dispatching adversaries, drawing comparisons to Uma Thurman’s iconic role in Kill Bill. This unapologetic depiction of violence juxtaposes the film’s serene Caribbean setting, creating a disturbing contrast that highlights its thematic intent.
Despite its brutal visuals, the film’s plot proves to be formulaic and predictable. It lacks depth, suggesting it could have been condensed into a short film rather than stretching into a two-hour feature. Viewers may find the storyline and its twists easily foreseeable, with the film leaning heavily on genre clichés to progress the narrative. While filmmakers like Quentin Tarantino have successfully navigated similar territory, The Bluff fails to achieve a similar level of intrigue or artistry.
Chopra’s performance is a notable highlight, skillfully combining action with a sense of vulnerability that is uncommon in the genre. Her portrayal of Ercell/Bloody Mary brings much-needed humanity to a story that otherwise falls prey to its own mediocrity. Despite the international target audience, one can see echoes of hyperviolent films from her homeland in her character’s fierce demeanor and emotional depth.
Notably, the film squanders its supporting cast. Urban seems confined to a typecast role reminiscent of his portrayal in The Boys, while Temuera Morrison’s character lacks development, leaving his potential untapped. Ismael Cruz Córdova’s role is minimal and fails to leave a significant mark on the narrative.
Ultimately, The Bluff does a disservice not only to its audience but also to the action genre, particularly in its representation of female protagonists. With a better execution, this film could have offered much more. As it stands, The Bluff risks being forgotten in a sea of action films, struggling to find its place amidst stronger contenders in the genre.
The film is set to premiere on Amazon Prime Video on February 25.