Art and Culture
Sevil Dolmacı, the visionary behind Sevil Dolmacı Gallery Dubai, shares insights into cultivating a distinctive perspective in the evolving art landscape, her shifting artistic preferences, and the significance of intuitive support for emerging artists.
Could you describe your morning routine?
I start my day early. On Mondays, Wednesdays, and Fridays, I practice Pilates at 9 am. On Tuesdays and Thursdays, I enjoy a stroll along the scenic waterfront of Bebek. I typically head to the office around midday for meetings.
What distinguishes Sevil Dolmacı Gallery from others?
Sevil Dolmacı Gallery is unique as the first establishment in the Middle East dedicated to showcasing both American contemporary art and Turkish art. Additionally, we have a specialized Digital Section that promotes a variety of art initiatives and nurtures young talents, helping them carve out their niche in the art industry.
Sevil Dolmacı, founder of Sevil Dolmacı Gallery
How have your experiences as a lecturer and consultant influenced your current role?
My extensive background in art history has been an invaluable resource in managing the gallery, granting me a competitive edge in this field. It has facilitated quick growth and helped forge a robust network of industry connections. By merging comprehensive expertise with an awareness of market trends, I have instilled confidence in international artists, encouraging collaboration and significantly contributing to the gallery’s swift expansion.
Why is the Middle East market significant for your first international location in Dubai?
The region represents a burgeoning art market with a keen interest in the arts, which inspired us to establish a presence here. The area’s investments in the arts and the creation of museums were critical factors in our decision. Currently, Sevil Dolmacı Dubai is featuring design works by Kengo Kuma and Daniel Weil.
“I am particularly drawn to abstract and minimal forms, yet I also enjoy the integration of vibrant and popular styles to create a captivating contrast.”
How do you identify creative individuals to collaborate with?
Kengo Kuma, the architect of the OMM Museum in Turkey, shares a compatible artistic vision with our gallery, which led to our collaboration. My preference leans toward abstract and minimal designs, complemented by colorful and popular elements that produce an engaging juxtaposition. This approach is reflected in both our paintings and design pieces.
What guiding principles do you follow to support emerging artists and exhibitions?
I prioritize working with artists who have graduated from esteemed art institutions, as their perspectives and professional aspirations are crucial. When an exhibition’s theme resonates with our gallery’s ethos, I readily provide our space for it. In Turkey, I actively support prominent events like the Venice Biennale and the Istanbul Biennale, which play a vital role in showcasing the country’s place in the global art arena.
Kigumi table by Kengo Kuma
What has been essential for you in cultivating a genuine community around your exhibitions and projects?
My passion for art drives my belief in its value. Art collectors are inspired by my commitment and investments, and they appreciate the opportunity to learn more about this realm.
As a creative professional, how significant is the commercial aspect for you?
Effectively managing the business side of art is fundamental to shaping its history. I operate under a structured and sustainable framework to ensure the endurance and prosperity of the gallery.
What’s next for you and your gallery?
We are excited to participate in Art Dubai with our Digital Section. In Istanbul, we are organizing a group exhibition curated by Robert Fleck, showcasing works from some of the world’s leading artists. It’s a thrilling endeavor for us.
This is The Design Issue – which design or artist has made an impression on you?
The collaboration between Alessandro Mendini and Peter Halley stands out as a remarkable exhibition that resonated deeply with me due to my admiration for both artists and designers.