In the heart of Dubai, a city renowned for hosting some of the world’s most significant cultural events, the “InClassica” festival stands out as the largest classical music event in the Middle East. Combining the nostalgia of the past with the diversity of the present, this festival takes place at the Dubai Opera, which has emerged as one of the premier global performance venues, resonating with the melodies of celebrated musicians and composers.
One of the highlights of this year’s festival is the internationally acclaimed composer, Alexey Shor. Transitioning from the world of numbers and equations, Shor has carved his name into the annals of global music with timeless compositions. With a strong academic background in mathematics and a talent for music that only emerged later, Shor successfully transformed his passion into a global career, positioning himself as a key figure bridging traditional classical music with contemporary influences.
As part of its coverage of the “InClassica” festival at the Dubai Opera, a special interview was conducted with composer Alexey Shor. He emphasized that Dubai is revitalizing the glory and elegance of classical music in today’s world, alongside its modern creative ventures. He also discussed his unique journey from mathematics to music, his role as a resident composer at the festival, his views on Dubai’s cultural significance, and his interactions with its diverse audience, as well as his current and upcoming projects. Here’s the interview:
How did your journey into music composition begin?
I never intended to become a professional composer. I originally wrote music just for fun, for myself and my friends. Everything changed when my close friend, violist David Carpenter, discovered some of my written notes and decided to perform them on stage. We collaborated on a brief piece, which gained considerable popularity, even spreading on YouTube. That’s when I realized it was worth pursuing, and I began to study music more seriously.
How has your academic background in mathematics shaped your understanding of music?
It definitely helped me in the beginning, particularly in quickly grasping musical theories. There is a strong connection between mathematics and music; both are built on intricate patterns and structures. However, after gaining sufficient knowledge in music, my mathematical background became less central to my work, as I focused more on the creative and emotional aspects.
New Works
What makes your experience at the “InClassica” festival as a resident composer special?
It’s a remarkable experience. I participate in rehearsals and compose new works specifically for the festival. This year, I was tasked with writing a violin concerto and a piano concerto, both of which had their premieres here at the Dubai Opera. Seeing my works performed in this enchanting venue among a select group of world-class musicians is truly a point of pride.
How have you seen the classical music audience in Dubai evolve?
There’s a notable evolution, both in size and engagement. Initially, the audience was limited, but over time, we’ve witnessed a more diverse crowd that appreciates this genre of art. This is precisely what the festival aims to achieve: to bring classical music to a broader audience.
Do you see similarities between the audience in Dubai and those in other major cities?
Absolutely. Dubai resembles cities like New York or London in terms of cultural diversity. The audience here is multinational, much like those major cities. In more homogeneous countries like Japan, the experience tends to be different; however, Dubai’s atmosphere feels quite familiar to me as a musician accustomed to working in global environments.
A Global Essence
Do you believe classical music can still resonate with younger generations?
Definitely. Classical music carries a universal essence that makes it accessible to everyone. Historically, even in earlier periods, it was not easy to determine a composer’s nationality through their music, which is one reason it can transcend borders and cultures easily. While it may not compete with pop music in terms of reach, it continues to hold a significant place and asserts its presence strongly.
Are there any new projects you are currently working on?
Yes, I am in the process of completing a cello sonata, which is one of my most advanced projects at the moment. I also have some preliminary ideas for a ballet or a double concerto, but they are still in the early stages.
Are you interested in collaborating with artists or musical institutions from the Arab world?
I am very open to that. It would be fantastic to collaborate with Arab artists, and if the right opportunity arises, I would gladly take on that experience.
Final Thoughts
The “InClassica” festival, hosted at the Dubai Opera, not only serves as a platform for showcasing classical music at its highest level but also affirms that Dubai has become a major hub for global arts and a true crossroads of cultural creativity across borders.