Juliette Binoche, the acclaimed actress and last year’s jury president at the Cannes Film Festival, has shared her insights into the impressive track record of Cannes winners at the Oscars. In a recent interview, she emphasized that the quality of these films contributes significantly to their recognition in Hollywood.
Binoche believes that the success of Cannes films is not solely attributable to the Academy’s recent efforts to diversify its voting members. “The strength of these films leads to their success,” she stated, highlighting the impressive tally of 19 Oscar nominations received by movies showcased at Cannes this year.
Among the contenders are the Norwegian family drama “Sentimental Value,” which won the Grand Prix, and the Brazilian thriller “The Secret Agent,” both vying for the best picture award. Additionally, the top Palme d’Or winner, “It Was Just An Accident,” and the road trip film “Sirat,” which received a special jury prize, are in the running for best international film.
Cannes has long been known for its distinct selection process, often favoring works from auteur directors with political themes. However, the landscape has shifted over the past decade, especially following the #OscarsSoWhite controversy, which prompted the Academy to invite more international voters. This change has led to a growing alignment between the awards given at Cannes and those at the Oscars.
Historically, only four films in 80 years have won both the Palme d’Or and the best picture Oscar. The past five years have seen two exceptions, including the Oscar-winning South Korean film “Parasite” and Sean Baker’s “Anora.” This year, however, the unique circumstances surrounding Jafar Panahi’s “It Was Just An Accident,” which explores the struggles of ordinary Iranians, mean it is not in the running for best picture.
Binoche expressed her view on the subjective nature of film appreciation, asserting that each film “belongs to itself.” She pointed out that while some may criticize the performances in Panahi’s work, the use of non-professional actors is intentional and part of the film’s authenticity. Binoche also highlighted Panahi’s dedication to his craft, noting that he wrote the script while imprisoned in Iran and has sought to create a dialogue for reconciliation through his film.
In reflecting on the purpose of filmmaking, Binoche emphasized that the most impactful films are those that have the power to transform lives and alter perceptions. She is currently promoting her directorial debut, “In-I in Motion,” which showcases her experiences in a dance performance she created with British choreographer Akram Khan. The film reveals her journey through 120 shows, which challenged her to confront personal fears.
As she continues her artistic journey, Binoche notes that directing has similarities to acting, requiring a deep connection to one’s intuition. Although she has found fulfillment in directing, she is also enthusiastic about the prospect of future projects and is keeping details of her next venture under wraps.