Ranveer Singh’s film “Dhurandhar” has taken the box office by storm since its release on December 5, becoming the highest-grossing film of 2025. Directed by Aditya Dhar, this spy thriller has captivated audiences with its gripping narrative and stunning visuals. However, after a remarkable run, the film is showing signs of decline as it enters its fifth week.
According to the latest reports, “Dhurandhar” earned approximately ₹3.44 crore on day 31, bringing its total collection to an impressive ₹775.69 crore. This drop reflects its lowest daily earnings to date, a trend not uncommon as films typically see reductions in attendance after several weeks, particularly on Mondays.
The film’s journey at the box office has been extraordinary. It kicked off with ₹207.25 crore in its opening week and saw a significant increase in the second week with ₹253.25 crore. The third week brought in ₹172 crore, while the fourth week maintained a respectable pace with ₹106.5 crore. Notably, “Dhurandhar” crossed the ₹1000 crore mark globally just 21 days after its debut.
Reception from industry figures has been overwhelmingly positive. Filmmaker Ram Gopal Varma described “Dhurandhar” as a “quantum leap” for Indian cinema, praising its innovative storytelling and immersive experience. He remarked on the film’s ability to engage viewers on multiple levels, showcasing not only the unfolding narrative but also the psychological dimensions of its characters.
“Dhurandhar” centers on an Indian spy, played by Ranveer Singh, who is tasked with infiltrating a Baloch gang in Pakistan’s Lyari. Singh portrays the character Hamza Ali Mazari, also known as Jaskirat Singh Rangi, while Akshaye Khanna takes on the role of Rehman Dakait, the gang’s leader. The film also features notable performances from Sanjay Dutt, R Madhavan, Arjun Rampal, and Sara Arjun.
Fans can look forward to a sequel, “Dhurandhar 2,” which is scheduled for release on March 19, 2026. As “Dhurandhar” continues to earn accolades and box office success, it stands as a significant milestone in Indian cinema, reflecting both audience appreciation and critical acclaim.