In the heart of Dubai, a city renowned for hosting some of the most significant cultural events globally, the “Inclassica” festival emerges as the largest classical music event in the Middle East. Blending the essence of the past with the diversity of the present, this unique event takes place on the stage of the Dubai Opera, a venue that has gained international acclaim, resonating with melodies from esteemed musicians and composers.
Among the stars of this year’s festival is the celebrated composer Alexey Shur, who transitioned from the realm of numbers and equations to carve out a name for himself in the world of music. With his academic foundation in mathematics and a late-blooming artistic talent, Shur has successfully transformed his passion into a global career. Today, he stands as a key figure bridging traditional classical music with contemporary sensibilities.
As part of its coverage of “Inclassica” held at the Dubai Opera, a special interview was conducted with composer Alexey Shur. He emphasized that Dubai is revitalizing the grandeur and elegance of classical music in today’s world, alongside its creative modern roles. He also shared insights into his journey from mathematics to music, his role as a resident composer at the festival, his perception of Dubai’s cultural significance, his interaction with its diverse audience, and his current and future projects. Here is the interview:
What sparked your journey into the world of composition?
I never intended to become a professional composer. I composed music purely for enjoyment, both for myself and my friends. Everything changed when my close friend, violist David Carpenter, discovered some of my written notes and decided to perform them on stage. We collaborated on a short piece that was well-received, even gaining popularity on YouTube. At that moment, I realized it was worth pursuing seriously, and I began studying music intensively.
How has your academic background in mathematics influenced your understanding of music?
It helped significantly in the beginning, particularly in quickly grasping musical theories. There is a strong correlation between mathematics and music, as both are based on precise patterns and structures. However, once I gained enough knowledge of music, my mathematical background became less central, allowing me to focus more on the creative and emotional aspects.
New Works
What distinguishes your experience at the “Inclassica” festival as a resident composer?
It’s an incredible experience. I participate in rehearsals and compose new works specifically for the festival. This year, I was commissioned to write a concerto for violin and another for piano, with their premieres taking place here at the Dubai Opera. Witnessing my compositions performed in this enchanting venue among such a distinguished group of global musicians is truly a proud moment.
How do you view the evolution of the classical music audience in Dubai?
There’s a noticeable evolution in both size and engagement. Initially, the audience was limited, but over time we’ve seen a more diverse and appreciative crowd for this art form. This aligns with the festival’s goal of reaching a broader audience for classical music.
Do you see similarities between Dubai’s audience and those in other global cities?
Indeed, Dubai shares characteristics with cities like New York and London in terms of cultural diversity. The audience here is multinational, much like those in those major cities. In more homogenous countries like Japan, the experience can differ somewhat, but Dubai’s atmosphere feels very familiar to me as a musician accustomed to working in global contexts.
Global Character
Do you believe classical music still has the power to impact younger generations?
Absolutely. Classical music has a universal quality that makes it accessible to all. Historically, even distinguishing an author’s nationality from their music wasn’t always straightforward, which underscores its ability to transcend borders and cultures. Although it may not compete with pop music in terms of popularity, it remains firmly established and continues to command respect.
Are you currently working on any new projects?
Yes, I am in the process of finishing a cello sonata, which is among my most advanced projects right now. I also have some preliminary ideas for a ballet or a double concerto, but they are still in their early stages.
Are you interested in collaborating with artists or musical institutions from the Arab world?
I am very open to that. It would be wonderful to team up with Arab artists, and if the right opportunity arises, I would be eager to take part in such an experience.
Final Thoughts
The “Inclassica” festival, hosted at the Dubai Opera, not only serves as a platform for presenting classical music at its highest caliber but also underscores Dubai’s status as a major hub for global arts and a genuine meeting point for creativity across cultures.