Renowned filmmaker and writer Werner Herzog has had a remarkable career characterized by unique storytelling and adventurous filmmaking. His latest documentary, “Ghost Elephants,” exemplifies his immersive approach, following conservationist Steve Boyes in search of a mysterious elephant herd in Angola. This project reflects Herzog’s longstanding fascination with the intersection of humanity and nature.
Herzog’s filmography is extensive, encompassing both narrative features and documentaries that explore profound human experiences amid overwhelming natural forces. His commitment to realism is evident in his 1982 film “Fitzcarraldo,” where he famously transported a steamboat over a mountain. This dedication to authenticity is mirrored in the weighty title of his upcoming memoir, “Every Man for Himself and God Against All.”
At 83, Herzog continues to create thought-provoking content. In “Ghost Elephants,” he crafts a narrative that goes beyond the search for elusive animals to include the complex relationships between the trackers and the spirits of the elephants they pursue. The film, written, directed, and narrated by Herzog, is now available for streaming on National Geographic.
Herzog’s life in Los Angeles with his wife, Lena, offers some structure amidst his unpredictable schedule. He describes a lack of a traditional daily routine, attributing it to the diverse nature of his projects. From hauling a ship to exploring polar landscapes, his creative process is dictated by the demands of his work. However, he cherishes moments of ritual, particularly shared breakfasts with his wife, typically consisting of coffee and simple bread.
Despite his adventurous spirit, Herzog admits to occasional laziness regarding exercise. He uses a rowing machine situated near his writing desk to stay active while working. His essential items for fieldwork include compact binoculars and two significant books: Martin Luther’s Bible and Livy’s account of the Second Punic War, which provide him with inspiration during challenging moments.
While filming “Ghost Elephants,” Herzog and Boyes approached their quest with curiosity rather than obsession. Herzog emphasizes the importance of preserving dreams and the symbolism behind the pursuit itself, stating that capturing a ghost elephant was never intended to be a mere triumph. Instead, it evoked a deeper philosophical contemplation on the essence of success in nature filmmaking.
The filmmaker’s refusal to carry a cellphone aligns with his belief in the power of memory over immediate documentation, emphasizing that significant experiences can be indelibly etched in one’s soul. He appreciates that key moments can unfold organically, suggesting that even when not captured on camera, their impact resonates long after.
On a cultural note, Herzog reflects on the internet virality of a scene from his film “Encounters at the End of the World.” The iconic image of a penguin has been co-opted as a symbol of nonconformity, prompting Herzog to ponder the profound connections we share in human consciousness, even two decades after the film’s release.
When discussing intellectual property, Herzog expresses disinterest in licensing his distinctive voice for artificial replication. He maintains that while he cares about the future, he does not envision himself existing as a digital entity.
Herzog’s memoir covers unfulfilled project ideas, revealing his ongoing struggle with time management and creativity. He likens managing his aspirations to navigating a relentless river, embracing the unpredictability of life and creativity.
Among the various creatures featured in his films, Herzog holds a particular affection for hummingbirds. Their swift movements symbolize an ethereal connection to existence. Reflecting on his experiences with animals in his films, he acknowledges a personal bond with a monkey from “Aguirre, the Wrath of God,” demonstrating his profound appreciation for the natural world.
This interview has been distilled for clarity, highlighting Herzog’s insights into filmmaking, nature, and the human experience.